I have worked with literally hundreds of great performers over the course of my career, and I often get asked the question, “Who was your favourite of all time?” Without hesitation my reply is always, Ella Fitzgerald. So it is only fitting that I begin the “Royal York” series with my first experience with the iconic singer.
I had just started my contract when Ella was booked to appear at the Royal York in September of 1974. As you can imagine, I was excited. When I read her contract, one of the requirements was for an 18-piece band (double the size of our house band). I also noticed that instead of the usual 2 ½ hours of rehearsal, she had stipulated that we must have four. Her charts were tough, and I heard that she had been less than happy with the previous bands she’d worked with. Ella always felt that her audience deserved a first rate performance.
On the afternoon of her arrival, we anxiously awaited the downbeat at rehearsal. Ella always travelled with her trio, and on this day, they were the first to arrive on stage. Tommy Flanagan was her music director, with Keter Betts on bass and Bobby Durham on drums. (My band later told me that Durham’s playing was so dead-on, they didn’t even need to count rests.) The trio ran through a few charts with us and then Ella’s manager brought her down from her suite. She walked straight to Flanagan and they began a private dialog. (It is customary for a music director to let the performer know what they are up against.) I couldn’t hear what they were saying because they were speaking in lowered tones, but as he spoke I could see a smile come across her face. That was a good sign.
Ella had us run through all the charts with her– which took under two hours. Just when I expected her to start at the top and do it all again, she said, “That’s fine, boys. We won’t need to run through them again.” Everyone was dismissed to go home. We had met her approval and didn’t need the four hours of rehearsal after all. I was very proud of the band – they were some of the finest musicians in the country.
That evening after the guests had finished dinner, the band set up to play a half hour of dance charts. These were pops charts that I’d written, and they were intended to get the audience up dancing before the headliner. The crowd that night was younger than the regular Imperial Room clientele. The big band/jazz singers – like Ella Fitzgerald, Sarah Vaughan, Nancy Wilson and Peggy Lee – always brought in a younger crowd. As you might expect, the place was packed!
Everyone was abuzz with anticipation when the moment finally arrived and Ella was cued to enter. She appeared classy and elegant in a long, beaded gown. There was no need for elaborate lighting or extravagance – her mere presence was enough to fill the room. When she sang, her voice was captivating. She could really make you feel the mood of the song. She had flawless intonation and a wonderfully broad range. She hit every note without the slightest hint of effort. She was sensational.
Her show ran for two weeks, and we were fortunate to have her appear five more times before she retired. Each time she returned I got to know her better. I’ll be sure to add more stories about these shows in later blog posts.
If you have a memory of Ella Fitzgerald, please feel free to share it in a comment below.
13 responses to “Ella Fitzgerald: My First Encounter With The Great Lady of Song”
Howard, I do remember Ella gave each one of us a golf sweater.
Hi Bill: Yes, I remember that sweater. I loved mine. Ella was great in that way.
I remember Ella as always generous, always pleasant, always positive, kind and respectful of the musicians playing behind her, and she was very low key, kind of quiet and shy it seemed….until she opened up to sing – and then WOW! You only had to meet her once to feel that you could call her Ella. And that Ella smile….
You are right on the mark, Peggy. She was all of those things. Thank you for sharing your memory of her. Glad you were there with me at that time.
See my Facebook page for my meeting Ella backstage of the Imperial Room, circa 1972.
Hi Donald: I visited your FB page and read your story. Thank you for sharing it. I can see why that memory would stay with you forever.
Thank-you. I have fond memories of hearing you on CBC during the 50s and TV in the 60s?
I met you yesterday at the CAPS meeting and I for one could have listened to you ALL DAY!!! Thanks!!
It’s good to hear from you. I’m glad you came by to visit the blog, and glad you enjoyed my talk.
OMG! Howard… My Dad took me to the Royal York to see that show for my Birthday present when I was 14 years old! I remember it so well. I remember that great voice of Ella, and even at the young age of 14, it’s a night I will not ever forget! Thanks for jogging my memory!
Pingback: The Imperial Room At The Royal York | Howard Cable Remembers
Hi Howard – love reading your stories here 🙂 I subbed in to Swing in St Jacob’s a few years ago and found your site recently through mutual friend Michelle Jacot. Recently I had my iPod on shuffle and a recording of your band with Ella came up – think I got it from Harvey Kogen a few years ago. Recording is very good, wish I could have been there 🙂
Hi Howard, Do you remember the nite that the whole Basie band came in to hear Ella, after a concert? We all knew that Basie and his band were there and we put out a little extra! At an after the show party, we were standing in a semi-circle with Ella, and Basie walked over to Ella and said, “That’s the best band I’ve ever heard!” And Ella said to the Count, “This is the the best band that I’ve ever worked with!!” That was a feel good moment! I hope you’re well!